Horror movies are almost always a map of our morals. They’re one of the few places where we can still tell moral fables. Little kids tell each other horror stories. Pre-teens try to scare each other with stories. This continues until we pass the age of reason, at which point, we try to keep kids from watching horror movies.
As moral stories, horror movies (typically, of course — there are always exceptions) punish the wicked (based on whatever we are calling wicked these days) and reward the virtuous (based on whatever we are calling virtuous these days). So, if it is wicked to be having premarital sex, or to wear skimpy underpants, then skimpy underpants-wearing people having premarital sex will get punished.
Likewise, the sensible virginal intelligent people usually survive, if not beat the bad guy’s ass.
Except for men.
No matter how strong or secure or right or good or pure the men are, they always get fucked up. Stabbed, ripped, torn, smashed, whatever. Men are disposable in horror movies, unless the lead female likes ‘em.
And the bad guys are usually… guys! Isn’t it easy to hate a guy? It’s acceptable to hate a guy. It’s understandable that a guy could possibly be some stabbety-fiend, or some sick psycho. It can’t be a woman. Nope, not unless there’s a Good Reason. Look at Friday the 13th — in all but the first movies, the killer is a guy and there really doesn’t need to be a reason — it’s simply lots of fun. Hey presto, he’s back in the next movie and lots more killing. All fun and games. But in the first movie, the killer was his MOM! But… she had a Good Reason. These kids had let her son drown. So, that’s okay, that’s a Good Reason.
Pick any half-dozen popular horror movies or horror movie franchises and reverse the sexes of the players and see if it works just as well or if all of a sudden something seems terribly wrong. I’ll bet on option “b”.
When we decide to make up a horrible thing, a monster in the form of a human, we usually make it in the shape of a man. (This is why we have a special name for a female antagonist: femme fatale. We don’t need one for male antagonists — it’s a given)
Misogynist? Hardly!
Horror movies, by and large, are some of the strongest feminist examples out there. The protagonists are everything the modern feminist wants women to be — strong, resourceful, brave, honest, true, virtuous, etc. Those women prevail.
The ones who die? Those are the ones that subscribe to the same old men-should-protect-us litany. Those are the ones who are not virtuous, the ones who are sleazy and manipulative. They get killed. And usually, folks understand this, because folks understand the basics of a moral tale, of a fable. These people have to die. They were bad.
Now, all that said, the reasons why the basic feminist movement has trouble with horror movies changes. Horror movies are about as feminist as one can get without being pathetic. Reward strong, resourceful, intelligent, virtuous women while crazy men kill paternalistic men. What does that threaten?
Andrea Dworkin should be lapping this up.
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